The sound is quieter overall than the 2011 remaster. You will need to turn up your amplifier. But when you do, the soundstage opens. The bass on “One of These Days” is rounder, not distorted. The acoustic guitar on “Fearless” has air around it. And the climax of “Echoes” – the terrifying, screeching middle section – has a visceral, uncompressed attack that modern masters sand away.
A rare acoustic moment. The FLAC preservation ensures the delicate slide guitar doesn't get lost in digital "noise."
The archivist realized that his 2021 EAC rip wasn't from a modern remaster. He had sourced a pristine, mint-condition 1988 Japanese CD pressing. pink floyd meddle 1971 1988 eac flacoa 2021
: A 23-minute epic taking up the entire Side B, featuring the iconic "sonar" piano note.
In January 1971, Pink Floyd walked into EMI Studios with zero songs and a mandate to experiment. They spent months recording "nothings"—fragments of sonic ideas that eventually coalesced into the 23-minute masterpiece, . Released in late 1971, Meddle became the bridge between their early psychedelic roots and the massive success of The Dark Side of the Moon . 1988: The First Digital Age The sound is quieter overall than the 2011 remaster
The mention of refers to the gold standard of digital archiving used by audiophiles.
For decades, Pink Floyd’s Meddle lived in the shadow of its gargantuan successors, The Dark Side of the Moon and Wish You Were Here . Yet, to the devoted listener, Meddle is the true turning point—the messy, beautiful chrysalis where psychedelic wanderlust hardened into progressive rock precision. The bass on “One of These Days” is
is highly regarded by audiophiles for its "warmth" and "dynamic range". Unlike modern remasters that often increase overall volume (compression), this version retains the natural peaks and valleys of the original 1971 tapes. EAC (Exact Audio Copy)