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Harris's intervallic concept, as outlined in his 1969 article "About the Intervallic Concept" (which I couldn't find in a direct PDF format, but various online resources and books have summarized his ideas), revolves around the use of specific intervals and melodic patterns to create cohesive, coherent solos. He advocated for a more systematic and organized approach to improvisation, moving away from the traditional, scalar-based methods.
The method is not just physical; it is aural. To play an interval like a Major 7th accurately, the player must hear it internally before executing it. By practicing these intervals in all keys, the player internalizes the sound of "vertical" harmony while playing "horizontal" lines.
Here’s a text summary you could use as content for a self-made PDF or study guide:
The concept works over static vamps, modal tunes, or standard changes. The player superimposes interval patterns, creating tension/release based on the distance between notes, not the chord scale.
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